Movie Violence Done Right
Moonrise Kingdom — Where Story Meets Style
In Moonrise Kingdom, Wes Anderson’s style is the perfect match for the story. He uses details to create a believable world, establishes the rules of this fantastical story, and creates a tone that forms a connection between the audience and the characters of Suzy and Sam.
David Fincher: From a Distance
Swinney’s last David Fincher video examined the filmmaker’s use of the extreme close-up. It seemed only right that his follow-up video would do the opposite. Fincher’s use of the long/extreme long shot is something of beauty, lending a majestic sense of scale to his often cramped and grimy little worlds. Whether he employs the shot to communicate isolation, express magnitude, or even just to give us a much needed breath, Fincher’s approach to distancing us from his subjects is masterful.
Alien 3 (1992)
The Game (1997)
Fight Club (1999)
Panic Room (2002)
The Curious Case of Benjamin Button (2008)
The Social Network (2010)
The Girl with the Dragon Tattoo (2011)
Gone Girl (2014)
WHIPLASH: From Short to Feature
WHIPLASH (2014) and the short that inspired the feature film have been edited together seamlessly in order to showcase the note-for-note similarities.