stanley kubrick

Steven Soderbergh recuts  2001: A Space Odyssey  
  ‘sometimes you have to cross the line to know where the line is. just ask any two-year-old.  
 maybe this is what happens when you spend too much time with a movie: you start thinking about it when it’s not around, and then you start wanting to touch it. i’ve been watching 2001: A SPACE ODYSSEY regularly for four decades, but it wasn’t until a few years ago i started thinking about touching it, and then over the holidays i decided to make my move. why now? I don’t know. maybe i wasn’t old enough to touch it until now. maybe i was too scared to touch it until now, because not only does the film not need my—or anyone else’s—help, but if it’s not THE most impressively imagined and sustained piece of visual art created in the 20 th  century, then it’s tied for first. meaning IF i was finally going to touch it, i’d better have a bigger idea than just trimming or re-scoring.’  - Steven Soderbergh 
 Click link to view his cut: 
  http://extension765.com/sdr/23-the-return-of-w-de-rijk

Steven Soderbergh recuts 2001: A Space Odyssey

‘sometimes you have to cross the line to know where the line is. just ask any two-year-old.

maybe this is what happens when you spend too much time with a movie: you start thinking about it when it’s not around, and then you start wanting to touch it. i’ve been watching 2001: A SPACE ODYSSEY regularly for four decades, but it wasn’t until a few years ago i started thinking about touching it, and then over the holidays i decided to make my move. why now? I don’t know. maybe i wasn’t old enough to touch it until now. maybe i was too scared to touch it until now, because not only does the film not need my—or anyone else’s—help, but if it’s not THE most impressively imagined and sustained piece of visual art created in the 20th century, then it’s tied for first. meaning IF i was finally going to touch it, i’d better have a bigger idea than just trimming or re-scoring.’  - Steven Soderbergh

Click link to view his cut:

http://extension765.com/sdr/23-the-return-of-w-de-rijk

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Manolo Celi literally learned from the best.  

Red: A Kubrick Supercut

It’s funny how the colors of the real world only seem really real when you viddy them on the screen. - Alex DeLarge ‘A Clockwork Orange’

Illustrator Ben Jones discusses A Clockwork Orange